By Kate Harding
Each seven mins, anyone in the US commits a rape. And even if that's a soccer big name, cherished superstar, elected professional, member of the clergy, or simply an ordinary Joe (or Joanna), there's most likely a neighborhood wanting to make excuses for that person.
In inquiring for It, Kate Harding combines in-depth learn with an in-your-face voice to make the case that twenty-first-century the USA helps rapists extra successfully than it helps sufferers. Drawing on real-world examples of what feminists name "rape culture"—from politicos' revealing gaffes to institutional mess ups in greater schooling and the military—Harding deals principles and recommendations for a way we, as a society, can take sexual violence even more heavily with out compromising the rights of the accused.
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Additional info for Asking for It: The Alarming Rise of Rape Culture--and What We Can Do about It
I have enjoyed her sharp wit, marvelled at her global knowledge, and looked forward to golden moments in her gardens. Renate: I thank students and staff in Women’s Studies at Deakin University where radical feminism is proudly taught. In particular I thank Alison Brookes, Tania Lienert, Kathy Munro and Laurel Guymer for their support and Robyn Rowland for being an unwavering radical feminist colleague and friend. From afar, I thank Janice Raymond and Christine Zmroczek for always being there. Kelly McElroy and Jane Rocca deserve a medal for keeping the paperwork at bay and doing bibliographic tasks.
They denounce the second wave of feminists and their concern with violence against women, delight the media, pander to the right wing, and set young women against older women. In Australia in 1995 Helen Garner’s The First Stone charmed misogynists across the land with its trivialising of two young women’s use of sexual harassment laws. Bemoaning a feminism that had “…mutated into—these cold-faced, punitive girls” with “hard hearts” (p. 100), Garner depicted the third wave of feminism as fragile and misguided.
We made lists of the themes we wanted to address and sought out authors. The book grew. Our publisher shuddered. By now it was obvious the book had a life of its own. This was no single-issue, monolithic work; it was as diverse as radical feminism. It refused to be constrained and it had an underlying coherence: all our contributors were committed to working for social change. As we read and talked, patterns emerged from the manuscript and we realised that this was what we wanted: to tease out themes that would be reflections on the feminism we’d set out to document.