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By Aristophanes

Originally tailored for the degree, Peter Meineck's revised translations in attaining a degree of constancy applicable for school room use whereas handling to maintain the wit and effort that led the hot Yorker to pass judgement on his CloudsThe top Greek drama we have now ever obvious anywhere," and the days Literary complement to explain his Wasps as "Hugely relaxing and extremely, very humorous. A normal creation, introductions to the performs, and designated notes on staging, background, non secular perform and fable mix to make this a remarkably necessary educating text.

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Extra info for Aristophanes 1: Clouds, Wasps, Birds

Example text

Episodes: These are scenes dominated by the actors, normally in iambic trimeter, but interspersed with choral elements. Very often they follow the agon and reveal the dramatic consequences of the great idea. The best of these, perhaps the best scene in all Aristophanes, is the trial of the dogs in Wasps (891–1008) which proceeds from Contracleon’s victory in the agon and the decision to try cases at home. , and Plutus we get series of “intruders” who enter to be part of the great idea now implemented and who are usually driven off with slapstick violence.

He was the obvious target for a caricature of the intellectual movement. , when the chorus talks of the previous failure of “this comedy” and at 553 mentions Eupolis’ Maricas, which was not produced until 421, at the Lenaea. This part of the parabasis certainly belongs to a revision. The actual details of the lost first Clouds and the implications for production will be considered in the appendix, but it is clear that what we have is a partial and not completed revision that was never produced on stage.

I would like to thank some of the many people who have inspired and helped these translations come to fruition. The contribution and expertise of the many actors who worked on these plays was invaluable: in particular, Robert Richmond, Anthony Cochrane, Peter Hilton, John Williams, David Caron, Nick Hardy, Nina Lucking, Karen Mann, Steve Owen, Adrian Schiller, Anthony James, and Daniel York. Many classicists throughout the United States and Canada worked hard to bring these plays to their campuses, convincing skeptical deans that Aristophanes sells: particularly, Mary Kay Gamel at University of California Santa Cruz, Rick Lafleur at the University of Georgia, Karelisa Hartigan at the University of Florida, Susan Ford Wiltshire at Vanderbilt University, Tim Moore at University of Texas Austin, Tony Edwards and William Fitzgerald at University of California San Diego, John Fitch at the University of Victoria, Keith Nightenhelser at Depauw University, Robert Ketterer at the University of Iowa, Stewart and Marleen Florey and Pat and Will Freiert at Gustavus Adolphus College, Catherine Freis at Millsaps College, Helen Moritz at Santa Clara University, Peter Burian at Duke University, Stewart Wheeler and Dean Simpson at the University of Richmond, and John Fischer at Wabash College.

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